Fellow sound artists often ask this question: how should I organize, catalog, and archive my recordings? I’ve worked on this a lot over the years, and have developed a scheme that works for me for everything I do. In a nutshell Stay Chronological. Why chronological? Because time always happens. Store recordings in dated folders, with session description after the date. …
Contact Mic Resources
Here is some wisdom information I’ve collected on the subject of contact microphones. Anything which appears on this page, I have made a solid attempt to vet as worthy of consideration. I’m no expert, merely a sound designer who has done some exploration. I started this page simply to collect my own research, then thought I might as well share. A …
Philosophy
The world is sound; the universe, a rhythmic, vibratory process. Sound is context and signal. We are bathed in it always. Our ears and brains are very good at picking out just the parts we need – but what about the rest? I concern myself with the fabric of this ambient context, the fabric of our acoustic connection to our …
DELIVERY SPECS
TL;DR / IN A NUTSHELL 🙂 Mix takes place in Pro Tools. Video and Audio elements are required as follows. Please get in touch should any questions arise. 1) VIDEO REFERENCE: MOV or MP4 h.264, ProRes Proxy or DNxHD 2) AAF: Embedded Media, 10 Second Handles 3) XML: “Final Cut Pro XML” of Sequence (V and A tracks) 4) OTHER MATERIALS (Dailies, Music …