World Class Sound for Stories and Experiences
- There's nothing like working with a good sound designer to make that film you've been working on for years finally feel real. Mixing a film that takes place in and around water, surf and the beach is not easy. Jeremiah overcame those challenges, and created a soundscape of water and waves to bring the ocean to life and make it a character in the film. -- Josh Izenberg, Director of Resurface (Premiered at TriBeCa, acquired by Netflix)
- My DP (Mike Palmieri) kept turning to me throughout our Full Frame premiere in awe of your work. Those who understand and appreciate quality sound LOVE and gush about your mix/design. I couldn’t be more proud. –James Q. Chan
- "Your design is brilliant. Extraordinary really. It lifts the images and their sequence into a register of sustained poetics. I can’t begin to thank and honor you enough for that work, this creation.” — Cathy Lee Crane
- "You really nailed it right out of the gate.” — Jason Armitage, Creative Director, Intrepid
Welcome to my studio.
I’m a sound explorer, artist, maker, sound designer and mixer, transdisciplinary innovator and collaborator.
If you want to hear my work, my reel is here.
Since childhood I've been taken with how sound is full of life, presence and energy. This drew me into explorations of sound, development of technical skill to support that exploration, and investment in tools. I've always had an autodidactic and DIY leaning. My roots are in experimental sound art, acousmatic music, theatrical sound design, and radio production. Sound as raw experience, as theater of the mind, as felt-connection to somatic memory.
As a field recordist, I’ve been collecting sounds since my early 20s, and have an extensive library of custom material -- from the old East-Berlin S-Bahn to the deserts of New Mexico, to the eerie chorus of wind through an aluminum windowframe, to the tactile whisper of a finger slipping along a textured stone surface on a remote minus-tide sea cliff. This library comes to play in many projects. And then there are the projects which require new unique sounds to be created using materials, microphones, processors, and synthesizers.
I'm fortunate to have been involved in some celebrated projects. Last Day of Freedom was Oscar-Nominated, Slomo was Oscar-shortlisted, Richland is at Tribeca 2023, Searchers at Sundance 2022. @Large: Ai WeiWei at Alcatraz was one of the most significant cultural projects of the mid 2010s. I've done work for major brands, agencies and studios. Work heard on NPR, PBS, Netflix Originals, and winning awards at festivals from Tribeca to SXSW to Full Frame and IDA, and that’s just a beginning. See IMDB.
My team and I are excited to learn about your project, and to help see it through to fruition.
Stereo, Binaural, Nearfield 5.1, 7.1 and Atmos Home Theater with completion in-house.
We regularly deliver cinematic 5.1 DCP audio for many projects screening at major festivals.
If desired, for certain cinema projects we have partner options for final mix or printmastering sessions in theatrical-scale mix stages.
Special format mixing is a specialty, including custom spatial arrays, binaural, and inclusion of haptic elements.
Monitoring: Main speaker configuration is Genelec + Meyer 7.1.4 HT / Nearfield.
Helping you realize your visions since inception. Terabytes of custom library material, state of the art tools and software, and the care to use these powerfully or judiciously as the moment calls for.
Overseeing and coordinating your project’s audio post needs, from dialogue editorial to Foley, ADR, music editorial, sound design and mix, and the full range of deliverables.
Available for consultation on tools, technologies, workflows, and methods across disciplines which intersect with sound.
The Tank Center for Sonic Arts - I am a founding board member of an unlikely project: a post-industrial sonic cathedral in remote northwest colorado, now an internationallly known nonprofit center for sonic arts. We got some good press in The New Yorker (*) and the LA Times (*).
Bay Area Sound Ecology - is a small organization focused on creating social experience around listening. We’ve hosted listening salons and participatory public events.
Sound Artist site:
Clients & Projects
Young & Rubicam
The Kitchen Sisters
Monterey Bay Aquarium
International Olympic Committee
FREELANCE & CONSULTING CLIENTS
The TANK Center for Sonic Arts
California Academy of Sciences
SELECTED FILM CREDITS
Last Day of Freedom
How To Have an American Baby
Jimmy in Saigon
Embrace The Panda: Making Turning Red
Beyond Infinity: Buzz and the Journey to Lightyear
By My Side
The American Sector
Why Can’t I Be Me? Around You
Couper Was Here
Don’t Be A Hero
Yours in Sisterhood
Water Makes Us Wet
The Manhattan Front
Not Without Us
Going On Thirteen
Key of G
Sanctuary In The Sea
Charles Swan III
Wonder Women -
Leper: Life Beyond Stigma
Don't Fence Me In: Major Mary and the Karen Refugees from Burma
Wonder Women: The Untold Story of American Superheroines
Always My Son
Pasolini’s Last Words
Saving Otter 501
Jeremiah Moore is a partner in Moment Audio, a design collaborative for special venue and exhibit projects consisting of Jeremiah Moore Sound, Andrew Roth's Roth Audio Design, and Jim McKee and Earwax Productions.
Notable projects include "@LARGE Ai WeiWei at Alcatraz", artist Doug Hall's Wittgenstien's Gardens and Chrysopylae, and the detention barracks at Angel Island Immigration Station Museum.